Faces, from their multiple angles, form a basic cradle in the experience of fine art. With the fertility of their worlds, and the breadth of their spaces in the diversity of features and تقاطيع, and in carrying temporal and national significances, they have become an essential source for the fine artist. Artistic directions moved them from the horizon of the portrait and the traditional classical pictorial view to another horizon that reflects explicit and implicit expressions, as seen in modern art with Matisse and Picasso, for example. We will take some artistic models by a number of Saudi women fine artists to highlight how faces are drawn and contemplated. The first thing that catches the eye in the paintings of the fine artist Ola Hegazy is manifested in the color attraction that exercises its power on the senses; there is a childish joy in color, there is a color play moving within the childish color system, so to speak, where the artist plays with her brush and chooses bright, explicit colors: red, pure blue, orange, yellow, light green. By using these colors in forming her painting, she establishes a strong semantic relationship between what the painting includes of lines and childish drawings she borrows from the world of childhood where formation is in its primitivity.